Avatar: The Way of Water (22/27)

Avatar: The Way of Water reminds us at some stage in that no director is pretty like James Cameron in phrases of scale, spectacle and ambition. When he’s at his first-rate, Cameron’s movies are wonderful reviews unlike any other. Cameron knows exactly how to assemble a splendid movement scene, now not best in making the sequence exciting, emotionally effective, and engrossing, but in just the primary mechanics of the way a scene should characteristic, setting other action directors to shame. Thirteen years after first introducing the arena to Pandora, Cameron returns with a movie that improves the weaknesses of the first film, improves the script and characters drastically, and creates one of the maximum first rate reviews one may have on the theaters.